Design
01/05/2026 – 02/05/2026

Metamorphosis – Craft from Poland

A bright gallery interior featuring a crafts exhibition. Small, oval mirrors in wooden frames and an information board hang on the left wall; sculptures and vessels are displayed on pedestals, while paper cutouts hang on the right. The space is illuminated by natural light from a large window.
Metamorphosis – Craft from Poland, the first comprehensive exhibition of Polish collectible design at Collect, the UK’s largest craft fair, was an international success. The exhibition in London became one of the highlights of this year’s design programme.

Event description

The presentation of bold experiments with materials strengthened the presence of Polish creativity on the international stage. Our debut attracted thousands of visitors, including the international collecting community, museum curators and art and design enthusiasts. Visitors were able to experience a dialogue between tradition and contemporary artistic craftsmanship.

We organised the exhibition in collaboration with the Polish Cultural Institute in London and On&On Designs. The serene yet striking exhibition showcased the work of nine artists on the international stage. The project celebrated the creative ingenuity and exploration of materials undertaken by each exhibition participant.

The installation, curated by Corinne Julius, showcased a broad spectrum of creativity. The spatial arrangement, designed by architects Miśka Miller-Lovegrove and Roman Lovegrove, challenged stereotypical perceptions of Poland. We presented a culture characterised by high intellectual awareness and refined aesthetics.

Artists and works on display

Alicja Patanowska presented a limited series of collectable, hand-made ceramic tiles derived from her acclaimed installation ‘Ripple Effect’ (V&A 2025), which explores the relationship between visual art and social ecology.

Monika Patuszyńska exhibited works from the series ‘Study of Deformation’ and ‘From the Bastards’, which explore the ‘life’ of ceramics through deliberate cracks, deformations and reconstructed forms that celebrate chance.

GRÔPK – Marcin Kuberna presented spirally constructed sculptural forms made of raw, unglazed stoneware with a distinct texture, emphasising the direct connection between the artist’s hand and the earth’s material.

Anna Bera presented organic wooden sculptures with mirror-like surfaces, exploring sensory perception through a joyful interplay of form and reflection.

Maciej Gąsienica Giewont captured the tension present in nature in his ‘paper-thin’ vessels turned from wet wood, whose forms are shaped by moisture, time and the natural grain of the wood.

Katarzyna Krej created delicate, wall-mounted glass installations that form constellations of reflections and colours brought to life by light and shadow.

Marcin Rusak presented his characteristic semi-transparent resin objects with real flowers embedded within them, capturing a moment of nature’s fleeting beauty.

Agata Marchlewicz showcased striking contemporary reinterpretations of the Polish tradition of folk paper cut-outs on a modern graphic scale in large formats.

Formsophy presented their new ‘Fjor’ and ‘Floa’ side tables cast in an open space from liquid aluminium with embedded stone. Each piece retains the imprint of the elements’ energy and the process of its creation.

We organised the ‘Metamorphosis – Craft from Poland’ exhibition in collaboration with the Polish Cultural Institute in London and On&On Designs.

Seven women posing in the bright space of an art gallery. A metal sculpture stands in the foreground, while the background shows a display featuring oval mirrors on the wall and a black paper cutout.
Photo Alka Murat

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